Rocabarraigh

by Thomas Abercromby

Film | Director of Photography, Editor, Colourist, AV Install Technician | Market Gallery, Glasgow | 2022

Rocabarraigh, a phantom island in Scottish Gaelic myth, will appear three times, the last being at the end of the world.

On the first of June 1997, Greenpeace climate activists landed on the tiny uninhabitable granite islet of Rockall in the Atlantic Ocean, situated over 200 miles from the nearest permanently inhabited place in North Uist. The landing was part of Greenpeace’s Atlantic Frontier Campaign, which campaigned to protect the surrounding seas from new oil drilling contracts. Six days into the 42-day occupation, a flag was raised on the islet, declaring Rockall the capital of The Global State of Waveland. Members of the public were then invited to request a certificate of citizenship, and in the following six months, more than 15,000 people applied to be citizens of this micronation. In light of this activism, the British Government dropped Rockall’s maritime boundary designation (EEZ), ending the UK’s attempt to issue new oil and gas exploration contracts in the area. The Global State of Waveland emphasised its conviction of protecting the environment even from a nation as powerful as Britain by playing them at their own game. In doing so, it revealed the absurdity of nationhood.

Using archival footage, performance, references to Celtic mythology and interviews between The Global State of Waveland activist Al Baker and Stop Cambo campaigner Lauren MacDonald, the film investigates the overlooked history of the islet’s status as the last territorial expanse of the British Empire and its subsequent occupation by climate activists in 1997. Abercromby’s work explores the relationship between imperialism, sovereignty and ecological collapse by bringing to the fore environmental activists’ efforts from our recent past while drawing links to the current climate emergency.

Words of Thomas Abercromby

Some clips from Rocabarraigh (silent)

This was my first project with artist and curator Thomas Abercromby, and his first film work. The project was both a collaborative effort and somewhat of a mentoring process. We shot the film together across various locations in Scotland, and I guided him through aspects of filmmaking that were new to him, including interview techniques, editing methods, and file management. This approach worked well, allowing him to take on the bulk of the editing himself and spend as much time as he needed to shape the film’s content. Near the end of the process, we came together to finesse the edit and complete the finishing touches, including captioning.

Trailer for Rocabarraigh

Filming Rocabarraigh was a lot of fun. Thomas and I went for a long drive around Scotland to various locations that he wanted footage from, and did most of it in a single weekend. We were filming in the middle of summer at the fog-draped St Fergus Gas Terminal in the North East just after midnight (before being accosted by the police) before heading to Inverness for the night, picking up shots across the Moray firth in the middle of the night. I love it when a project brings me to these "thin places", where you see the strangest and most beautiful things when everyone is asleep.

  • St Fergus Gas Terminal, film still from Rocabarraigh, 2022

  • Al Baker at home, film still from Rocabarraigh, 2022

  • Anya Sirina, film still from Rocabarraigh, 2022

  • Al Baker, film still from Rocabarraigh, 2022

  • Anya Sirina, film still from Rocabarraigh, 2022

  • Al Baker holding rock, film still from Rocabarraigh, 2022

  • Lauren MacDonald, film still from Rocabarraigh, 2022

  • St Fergus Gas Terminal, film still from Rocabarraigh, 2022

  • Al Baker at home, film still from Rocabarraigh, 2022

  • Anya Sirina, film still from Rocabarraigh, 2022

  • Al Baker, film still from Rocabarraigh, 2022

  • Anya Sirina, film still from Rocabarraigh, 2022

  • Al Baker holding rock, film still from Rocabarraigh, 2022

  • Lauren MacDonald, film still from Rocabarraigh, 2022

  • St Fergus Gas Terminal, film still from Rocabarraigh, 2022

  • Al Baker at home, film still from Rocabarraigh, 2022

  • Anya Sirina, film still from Rocabarraigh, 2022

  • Al Baker, film still from Rocabarraigh, 2022

  • Anya Sirina, film still from Rocabarraigh, 2022

  • Al Baker holding rock, film still from Rocabarraigh, 2022

  • Lauren MacDonald, film still from Rocabarraigh, 2022

Learning about Greenpeace activists’ direct actions in the ’90s, alongside the incredible work of younger activists like Lauren MacDonald, the lead campaigner for Stop Rosebank, was eye-opening. It was fascinating to see how Thomas, perhaps informed by his curatorial background, wove together modern and ancient ecological narratives.

For the exhibition, I assisted the Market Gallery team in installing the film, helping to shape it into the unique aperture onto which it was projected—a very satisfying process.

Installation view of Rocabarraigh from the eponymous Market Gallery exhibition at French Street, Glasgow, 2022

Photo © Matthew Arthur Williams

Directed by Thomas Abercromby
Featuring Al Baker and Lauren MacDonald
Performance by Anya Sirina
Narration by Adebusola Ramsay
Photography by Daniel Hughes
Edited by Thomas Abercromby and Daniel Hughes
Sound design and music by Richy Carey
Sound recorded by Mark Readhead, Kaya Fraser and Long Green Jaws
Colour and Post Finishing by Daniel Hughes

Rockall occupation archival footage provided by Greenpeace and Al Baker, featuring Al Baker, Meike Huelsman, Peter Morris and Matthew Spencer.

Rocabarraigh was supported by Creative Scotland, Cove Park, Market Gallery, Uist Film and Taigh Chearsabhagh.