About
Daniel Hughes is a filmmaker, video designer and technician working in visual art, film and theatre.
His recent work includes filming, editing, colour/post-finishing, creative captioning design and consulting on film projects in the visual arts; installing films as an AV technician in the visual arts; and video design and creative captioning design in theatre.
Recent work
2024, Extraordinary Trash dir. Stewart Laing, written by Pamela Carter, with Edinburgh International Book Festival 2024, theatre performance, video designer. Edinburgh
2024, The Ghost of Alexander Blackwood dir. Benadetta Iametti, written by Nadia Nadarajah, with Edinburgh Deaf Festival, theatre performance, caption designer. Edinburgh
2024, Pillory, Pillocks! by Edward Gwyn Jones with for PLATFORM 24 at Edinburgh Art Festival 2024, film, director of photography. Glasgow
2024, After Kinte dir. Tako Taal at Glasgow International 2024, theatre performance live stream, filmmaker, editor. Glasgow
2024, Farang dir. Mina Heydari-Waite at Glasgow International 2024, film, filmmaker, editor. Glasgow
2024, Pied Piper dir. Conrad Murray with Battersea Arts Centre at Southbank Centre, theatre performance, creative caption designer, video technician. London
2024, Installing a film in a gallery at University College London, lecture and workshop. London
2024, Get Off dir. Katy Baird at Battersea Arts Centre, live art performance, captioner. London
2024, Svikiro by Sekai Machache, Pavillion of Zimbabwe at the 60th International Art Exhibition, La Biennale di Venezia, film, colourist, visual effects. Venice
2024, Buttercup by Sarah Browne at Sirius Arts Centre, film, caption designer. Cork
2024, Create Dangerously by Alberta Whittle with National Galleries of Scotland, exhibition documentation film. Filming and editing, Edinburgh
2023, poem without a heroine, by Ksenia Ravvina and company at Theater im Delphi, devised theatre performance, collaborator, video designer. Berlin
2023, A Radical Duet by Onyeka Igwe, film, animated caption designer.
2023, John by Thomas Abercromby, film with Collective Gallery. Photography, editing, colour grade, AV Install Technician. Edinburgh
2023, The Last Born – making room for ancestral transmissions by Alberta Whittle, performance with Edinburgh Art Festival. Documentation filming and editing. Edinburgh
2023, Glasgow Zine Fest with Glasgow Zine Library, hybrid festival. Hybrid technician. Glasgow
2023, Present Futures festival curated by Colette Sadler in association with Feral, performance festival. Documentation, Glasgow
2023, Alien Species by Dudendance, performance. Promotional film, Scotland
2023, The Making of Pinocchio by Rosana Cade and Ivor MacAskill, performance with Festival Theaterformen. Caption design in German. Hanover
2023, Create Dangerously by Alberta Whittle, exhibition with National Galleries of Scotland. AV Technician. Edinburgh
2023, BUZZCUT 2023 Festival, festival. Caption design, video technician, live camera technician. Glasgow
2023, Climate Grief Karaoke by Katy Dye, performance. Video Design, Trailer Design. UK
2023, Hairy Beast by Theo Seddon, performance. Poster Image. Glasgow
2023, On Clogger Lane by Andrew Black with LUX Scotland for Margaret Tait Award 2021, film. Editor, Post-Finishing Artist, Colourist. Glasgow
2023, Into The New Festival with Royal Conservatoire of Scotland, festival. Video Documentation. Glasgow
2022, Rocabarraigh by Thomas Abercromby with Market Gallery, film. Filmmaker, Consultant, AV Technician. Scotland
2022, Growing Up B(r)ent by Ed Webb-Ingall for Brent Biennal, radio play exhibition. Caption Designer. London
2022, The Making of Pinocchio by Rosana Cade and Ivor MacAskill at Battersea Arts Centre, performance. Caption Designer and Programmer. London